Pre-Dynastic Period (c. This difference in the shade of skin tones did not represent equality or inequality but was simply an attempt at realism. Symbolism played an important role in Egyptian art. This change can best be seen in the production of shabti dolls for grave goods which were formerly made by hand. Using the smaller work as a model, the artist would be able to replicate the image in the correct proportions on the wall. Gold was particularly popular for amulets and shrine figures of the gods since it was believed that the gods had golden skin. Men are usually depicted with reddish skin because they spent more time outdoors while a lighter color was used for women's skin as they were more apt to stay out of the sun. In the case of Tutankhamun's throne, however, the technique is used to express an important aspect of the couple's relationship. The importance of symmetry is evident in the composition which features the heads of four bulls (a symbol of power) at the top of each side and balanced representation of the figures which tell the story. The color in their art was used in some kind of way to communicate with Gods, certain colors were meant with specific powers or attributes that were linked to gods. This was the reason for mummification and the elaborate funerary rituals: the spirit needed a 'beacon' of sorts to return to when visiting earth for sustenance in the tomb.
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Stone work first developed in the Early Dynastic Period and became more and more refined over the centuries. The tombs, tomb paintings, inscriptions, temples, even most of the literature, is concerned with the lives of the upper class and only by way of telling these stories are those of the lower classes revealed. This work is fashioned of thin gold wires attached to a solid gold backing inlaid with 372 semi-precious stones. The role of death and afterlife in Ancient Egyptian art shows how concerned were Egyptians about all that is divine. When an obelisk was made it was always created and raised with an identical twin and these two obelisks were thought to have divine reflections, made at the same time, in the land of the gods.
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